Fall 2009 Syllabi   African American Literature   Speech   Composition   Contemporary Literature   American Literature  


Saint Paul’s College: Department of Humanities & Behavioral Sciences

African American Literature


Course Information:                                      Instructor:

English 230-1                                                   Dr. Raphael Comprone

                                             

Fall Semester 2009


Class Time:                                                    Office:

MWF 1-1:50 PM                                               RH 136


Classroom:                                                     Office Hours:

RH KIVA                                               M W  F  12-1 PM  RH 136       T R       2:15-4:15 PM       


Office Phone:  contact by email only              Credit Hours:


Email: raphaeljohncomprone@gmail.com                  3


Website: www.comprone.info


Pre-requisite: Students must have completed Composition II and must pass the exit examination for Composition II.



Required Texts:


Comprone, Raphael. Poetry, Desire, and Fantasy in the Harlem Renaissance. Lanham, Maryland: UPA, 2006.

The Norton Anthology of African American Literature: Second Edition. Ed. Gates & McKay. New York: Norton, 2003.


Endorsmement Competencies for Education Majors:


Knowledge of reading strategies and techniques used to enhance reading comprehensive skills.

Knowledge of varied works from British, American, world, and ethnic/minority literature appropriate for English instruction.


Selection of Texts:


This anthology is REQUIRED, and you cannot pass the course without using it because all exams will be open book. You must also purchase my book because we will be using it extensively when covering the Harlem Renaissance.


Course Description: The purpose of this course is to familiarize students with the achievements of African American writers throughout time. We will study the various historical periods in African American literature and discuss the contributions of African American writers to American society and culture. We will cover the Black Arts Movement and the Harlem Renaissance this semester. We will also watch movies of these two important time periods in African American literature.


Course Rationale: The purpose of this course is to develop an awareness of the significance of African American literature in American society.


Course Goals, Objectives, and Corresponding Program Outcomes: 


1 Develop an awareness of the achievements of African American writers and their contribution to American democracy and culture

2 Discuss the historical struggle of African American writers in American society

3 Develop students’ writing skills in an academic context

4 Develop among students an awareness of the importance of essays, music, poetry, drama, short stories, and novels written by African Americans


Expectations for Student Behavior as Related to Course Objectives and Their Corresponding Program Outcomes:


Please arrange for meeting with me during office hours. Students must behave appropriately by: 1) avoiding talking when the professor is speaking, 2) being punctual (students will lose points for tardiness and excessive absences), 3) ALWAYS bringing their textbooks to class, 4) actively participating in class, 5) not plagiarizing, 6) avoiding the use of foul language and abusive behavior, 8) being polite to other students, and 9) following the dress code and wearing appropriate attire.


The attendance policy is as follows:

       Students missing more than 9 times (EXCUSED or UNEXCUSED) must WITHDRAW or receive a

        failing grade of F.

       This policy will be strictly enforced.

       Students with 2 or less absences will receive an additional 10% for their final grade. Excused                    absences will not be factored into this calculation, e.g. a student who has three excused                          absences and no unexcused absences will not receive an additional 10% added to his or her final              grade.

       Students cannot obtain excuses for absences after the semester is over.



Class Format, Process, and Methods of Instruction:


Students can only receive incompletes upon permission by the instructor (an incomplete can only be filed for during the semester) and only if they are experiencing financial difficulties or a grave personal matter (I must be notified in person by the student or by a relative before the end of the semester). Excuses will only be accepted from the Provost's office.  I will only accept assignments in person (do not slip any assignments under my office door--I am not responsible if any of these assignments should end up missing). It is the student's responsibility to make up any missing work and to check on his or her grade during the semester. Absolutely no excuses for absences can be issued after the semester is completed (if you do not show me the excuse during the semester--you have to show me the excuse in person, do not put it under my door--I will not give you an excuse--this applies to athletes as well). Athletes must personally give me a copy of their game schedule and indicate to me the days they will be absent. They must also make up any work and or missed instruction the day after their absence. ABSOLUTELY no grade changes are possible after the semester. Please check with me before the end of the semester to see if you have any outstanding work to complete.


20% Music and listening comprehension exam

70% Exams (Harlem Renaissance and Black Arts Movement Exams, 4 total)

10% Participation and attendance

 

Course Outline and Assignment Due Dates:


TBA


Tentative List of Assigned Readings and Assignments:


* You must keep a notebook and write all notes and in class assignments down in the notebook. I will collect the notebook periodically during the semester.


Black Arts Movement


Author                 Title of Work                                          Page #


Gates & McKay                                                   1831


Mari Evans           Status Symbol                                        1851

Mari Evans            I am a Black Woman                         1851


Malcolm X            The Autobiography of Malcolm X                    1860


John Alfred Williams    The Man Who Cried I Am                        1876


Martin Luther King, Jr.  Letter From Birmingham Jail                 1896


Etheridge Knight        The Idea of Ancestry                        1908


Etheridge Knight            Hard Rock Returns to Prison from the Hospital for the Criminal Insane  1909


Etheridge Knight        For Black Poets Who Think of Suicide        1910


Audre Lorde                                                        1919-1936


Amiri Baraka                                                                             1937-1962


Sonia Sanchez                                                        1963-1967

               

First Exam


Introduction of Poetry, Desire, and Fantasy in the Harlem Renaissance


W.E.B Du Bois' Criteria of Negro Art


Alain Locke The New Negro


Langston Hughes The Negro Artist and the Racial Mountain


Hoyt Fuller           Towards a Black Aesthetic                      1853


Addison Gayle Jr.           The Black Aesthetic                               1912


Larry Neale                 The Black Arts Movement                      2039



Listening Comprehension: Music


Midterm Exam


Langston Hughes


First Chapter of PDF in the HR on Langston Hughes Paradox, Repression, and Resistance to the Paternal


Ed Bullins Goin' a Buffalo: A Tragifantasy    1969


Eldridge Cleaver        Soul on Ice             2007


A.B. Spellman  Did John's Music Kill Him?  2015


June Jordan                                        2016


Lucille Clifton                                     2031


Jayne Cortez         How Long Has Trane Been Gone?   2036


THIRD EXAM


Nikki Giovanni                                        2096


Quincy Troupe                                        2118

Caroly Rogers                                        2122

James Alan McPherson                                2101


Poetry, Desire, and Fantasy in the HR, Chapter V Claude Mckay's Poetry and Novels 161


FINAL EXAM


the rest of the assignments are TBA


Recommended Internet Sites: www.comprone.info for updates on assignments, syllabi, poetry club submissions (extra credit)